Category: member’s projects

  • WIG Weaving Project

    Weavers Interest Group Project

    Any guild interest group weavers are invited to make a small woven piece of a chosen weave structure. This is also open to all Guild members who may be interested in contributing, as not all have chosen to join in the Weaving Interest Group.

    The pieces will be used as a loan collection for Highland Guild events and displays, but eventually returned to each maker. This is an ongoing project over time to ensure a changing collection of pieces for displays which highlight different types of weaving.

    The idea is that we each decide on a weave structure or type of loom we would like to try out. It does not matter if two or more weavers decide to try out the same weave structure or type of weaving, as each weaver will  inevitably choose different colours or yarn types. This project is open ended with no time deadline!  All contributions will be welcomed, whatever the level of weaving experience .

    Woven items can be roughly the following sizes to take account of different types of weaving. The idea is that small samples are more achievable.

    1 by 10 inches 

    2 by 6 inches 

    4 by 6 inches 

    6 by 8 inches

    8 by 10 inches 

    10 by 12 inches 

    12 by 14 inches

    Different sizing allows for the use of a range of  types of loom or weaving eg tapestry, rigid heddle, 4/8 shaft looms, peg looms, inkle looms, band looms etc.

    If anyone wants to try out circular weaving, small pin frames, 3D or basket weaving etc., that is also a possibility.

    SOME SUGGESTED WSEAVE STRUCTURES INCLUDE :-

    Inkle weave {with or without pick up}

    Band weave {with or without pick up}

    Tapestry  {many different techniques to try}

    Tabby on rigid heddle 

    Dog tooth on rigid heddle

    Log cabin on rigid heddle 

    Peg loom weave

    Twill { 1/4}] 1/3}]2/2} many varieties here on 4 or 8 shaft looms

    Summer and winter {4/8 shaft looms}

    Huck {4/8 shaft}

    Monks belt [4/8 shaft }

    Overshot {4/8 shaft}

    Crackle {4/8}

    Leno {4/8 or on rigid heddle}

    Double weave {4\8 or on rigid heddle if have second heddle or tie ups}

    Point twill {4/8 shaft}

    Krokbragd{3shaft}

    Rya {4/8 shaft loom or rigid heddle}

    ** Any colours  and any choice of yarns , eg wool, cotton, linen, nettle, bamboo can be used .

    A written label to attach to each piece of weaving is being designed and can either be downloaded from the guild website or collected at guild meetings . This will ensure that anyone looking at the woven sample pieces can immediately see:

    • the name of the weave structure 
    • the yarns used 
    • the weaver’s name
    • the type of loom it was woven on
    • any other relevant information 

    This helps to inform others and encourages discussion. It also means that items can be easily returned to the original maker!

    Happy Weaving !

  • Weaving Challenge Jan 2023

    Following the example of the spinning group we are setting a weaving related challenge for
    January. This is not restricted to those who join in the monthly zoom. It’s open to
    everyone to join in and have fun! You won’t need to get any fancy equipment, in fact (and
    I’ve just thought of this!) part of the challenge could be not to spend anything. As with the
    spinning and dyeing challenges, bring anything you make to the March meeting for show
    and tell, and if you are willing, loan an item to the Guild for display at the summer shows. If
    you find it easier to have a theme, we suggest: trees
    Things you might like to try to challenge yourself:
    • Off-loom weaving – make a weaving round a tile, card, box, or go multi-dimensional
    on a piece of twisted hazel
    • Incorporate found materials – grass, sticks, shells, plastic bags etc
    • Use a fibre or yarn you haven’t used before
    • Use a kind of loom you haven’t used before
    • Try a new pattern or technique

    With yarn spun from a piece of fleece, Norah wove around this seedhead

    Weaving Interest Group 28 January 2023

    This month was a show and tell of things made, started or planned as a result of the January challenge. Several people had tried or planned off-loom weaving: Sarah had an old PE hoop and was planning to weave a hanging; Linda was experimenting with weaving on twisted hazel, and had made a frame of spindle wood, with the intention of weaving a tapestry; Isobel had woven round a couple of stones, but hadn’t enjoyed the process, though the results were attractive; Susan was considering this too, but we all felt she might be better using her stone as inspiration as it seemed a pity to cover it! Ruth had been to a weekend course in passementerie, and showed us a fringe woven using some of the techniques she had learned. Angela had woven a piece with supplementary warps which she then used to gather it up for shibori dyeing. She had also woven a 4-shaft pattern and colour and weave sampler, and was planning a black and white scarf using some of the patterns. Isobel had also been weaving with multiple threads of thin cotton – this gives lots of opportunity for colour blending, but the threads tended to be a little unruly! Henriette had incorporated beads into a weaving, using a thin supplementary weft to carry the beads. She had also tried tablet weaving, producing an impressive band which included lettering. Hilma was trying a simple weaving on card, and had also completed a weaving experimenting with stripes based on the Fibonacci sequence, and a weaving recreating the structure of a piece she had been given. Beside all of this my own scant inch of monks belt on the inkle loom looks a bit pathetic!

    [envira-gallery id=”87005″]
  • Art Yarn


    This is Sue Varley’s idea: spin a yarn inspired by a piece or art work. Sue has started us off with a yarn inspired by Vincent van Gogh’s Starry Night.

  • Colours of Highland

    To start off this gallery Alison M has sent a picture of a tapestry weaving inspired by late sun on the hills. She used a variety of yarns, including Harris yarns and wool left over from the Scottish tapestry panel she was involved in stitching. She sent two pictures and I’m including both as I’m intrigued by the difference the background makes. I’ve just added some lovely pictures from Alison R of her weaving. The inspiration for each (shown in the photos attached to the cloth) is as follows: Fingal’s Cave on Staffa; the view from Fortrose towards Fort George; 2 views of Loch Ness from the great Glen Way; 2 views of Bettyhill; sunrise and sunset over the Beauly Firth; North Kessock woods. Denise spun and knitted her cardigan during lockdown. The fibre is BFL and Shetland.

    [envira-gallery id=”4022″]
  • Sea and Shore

    As it is difficult to meet up at the moment, we have decided to celebrate our crafts in a couple of on-line exhibitions. This is the first and will run to mid October. I will be adding pictures as they are sent in. To start off we have my Krokbragd weavings, following on from the March workshop, and Mary’s dyed tops in sea colours; then Hilma’s skein in summery sea colours. Two pictures from Terry next: of the first, white fleece, Terry says: a fleecy view that makes me think of swaying weed among the sea foam (Scots Blackface); and the second: the tide rushing on to seaweedy shoreline rocks (Blue Texel). I’ve just added Isobel’s tapestry to the gallery, although it’s been there in a comment for a while. And from Liz some of her dyed fibre and one of the felted lampshades she makes. Jane has sent some skeins created by combining several bobbin ends in similar colours which reflect the theme, plus a photo of the real thing from one of her walks.

    Note: because I’m building the gallery as the photos come in they are in reverse order.
    [envira-gallery id=”3990″]

  • Eco dyeing project

    Michelle Stirling has been experimenting with eco dyeing for some time now, and has produced some very interesting fabrics and art work (see pictures below).

    [envira-gallery id=”3575″]

    She is involved in a project on Facebook called “earth signature bundle”, and invites anyone who wishes to join in. Send your results, or questions, to Michelle via Facebook, or through this web site.

    Here are some pictures of the process:

    [envira-gallery id=”3569″]

    This is the project in Michelle’s words:

    Hello everyone,
    Who would like to be part of a world wide fun project? It’s called “earth signature bundle”. Lots of folk who have never done it before are taking part.

    All you do is
    1. Wet a piece of cloth (say pillow case size) with water, viniger or tannin, soya or milk, you can ad natural dye to it, squeeze out the excess liquid
    2. Place any kind of leaves or plants with rusty pieces on it
    3. Fold or roll it up or crumple then tie tightly
    4. Bury it in the compost heap the ground or sand if by the coast
    5. Leave for 4-6 weeks and dig up
    Dig up on or around the 27th of November

    If you would like to take part say yes in the comments please. I’m coordinating this project for the Highlands of Scotland and I’m here for you to ask anything you wish but most of all have fun. The worst that can happen is you have a rotten bit of interesting shaped cloth with stains on it!

  • Feb 2019 Open Day and Challenge

    Another good day, with 30 plus people attending, and a shared lunch. Most people were spinning; Sheila had brought along a book charka to spin cotton. Click on the pictures to see more detail.

    [envira-gallery id=”3196″]

    The focus of the day though was the Guild challenge. This started at the September meeting, when those participating had been asked to bring 100 gms of fibre (in an opaque bag!) to exchange. The challenge was to spin whatever fibre you got, and to make something with it! Several people who could not attend the September meeting joined in later, exchanging fibre at spinning groups. The array of completed projects was impressive, and it seemed that everyone had learned from it and been pushed out of their comfort zone.

    [envira-gallery id=”3197″]

    A couple of additional items: Michelle was wearing a tunic created from her first foray into 4-shaft weaving; and there was also a display of woven samples.

    [envira-gallery id=”3198″]
  • Aileen’s rug

    Aileen wove this on a 24 inch (60 cm) rigid heddle loom, stitched lengths together to get the width she needed, and backed it with hessian. The yarn is rug wool from Kincraig at Brora. As Aileen says, it just shows what can be achieved on the simplest small loom.

  • New weaving

    Aileen sent this a wee while back… Sorry for the delay in posting it up Aileen. She writes
    “The length of cloth is ten foot long, wool. The weft is hand spun and hand dyed (not by
    me) all done on a 7.5 dent. I’m afraid it took ages!”

  • A Woven Sun-set

    Inspired by an evening sky of dark purple clouds caught with the dying embers of the sun over the Cromarty firth, I decided to dye, spin and weave a new fabric.  Scarf size is a nice sized project… long enough to be useful but not taking an age to work up.  As I’m spinning my own yarn that is the bit that takes the longest time.  I’ve still not found the best hem stitch for my ends so that side is a still developing, but my edges are improving.

    Mostly Merino/Shetland/Corridale 2ply.

  • Wild dyes and weaving

    Michelle is finally back on t’internet and has pulled herself away from doing “hubble bubble” in the garden to send us a lovely shot of her newly dyed fibre. Who would have thought that cow parsley could be so vibrant (after an post dyeing alum modification).

    Michelle has also sent a picture of her Dealgan, which is something I’ve been after for a while. Does anyone have a lathe to make one for me?


    Aileen has been busy too, experimenting with some interesting weaving interventions.

  • Spun, Woven & Knitted

    Here are Sarah Grant and Sue Varley displaying their creations. Sarah’s jacket is spun and woven and has extensions in matching felt. Sue’s jacket is spun from tops and knitted.
    Both are stunning!

  • Spring Scarf

    Spring has sprung and, like the urge to eat fresh salads, I just had to do something lighter than my normal “dark and interesting” aubergine and plum colours.  I bought a kilo of creamy white cotton chenille from ebay with the thought of being able to dye it but it’s so soft and velvety just as it is that I based the whole scarf around it.  There are only stripes of it but most all the others are the same neutrals with a few accent fancy yarns I spun specifically in small quantities.  After our Anne Artis spinning day I felt justified in loving to spin fine so this is mostly loosely woven “fine lace weight” shetland 2ply.  The colourful things were experiments with boucle and wraps, oh and a bit of shetland plied with some gold machine embroidery thread gave me a light glitter yarn.  The other fun thing was that I did it with the aid of my new variable dent heddle.  I chose the Kromski one instead of the Ashford as each dent is selectable rather than groups.  I love the flexibility of it and can see I’ll be using it lots in the future.

  • Lilac Houndstooth

    Aileen writes:

    “This weave is 18 inches wide and 3 yards long.  Done on my RH loom with a 7.5 dent reed and fulled to a nice skirt weight.  The pale lilac is Rennies Shetland and the purple is Merino.  It took a long time, and there is a mistake!”

  • Draped in “Prayer Flags”

    Catherine has been putting her time spent ill to very good use !

    “This is my project since the dark days of January.

    A 5 ” wide warp, using a threading for my four shafts that I saw Theo Wright using for his scarves.  He’s a professional weaver who is also a lover of data and mathematics (like Cally Booker, see latest ‘journal’ !) so nothing like me.  I used a few colours in the warp, which although done on a warping board, just went on and on, allowing me to try out different colours and treading.  Messing about, in other words.  My energy has been erratic in February, so this is a sort of record of my recovery from flu.  As usual, the colours I chose as weft near the end are the ones I like best, so now I have to find some beautiful yarns to re-create a texture that would be nicer to wear, unless I want to have things hanging around like prayer flags.

    Catherine”