Author: Stephanie Hoyle

  • Tomintoul Coat Project

    A builder renovating a cottage in the square at Tomintoul found a coat hidden in the rafters. It was dated to the 1830s. The community got lottery funding to research and create a replica which could be openly displayed in the heritage centre. Two child sized coats have also been made so that children can try them on. The 14th March was set as the date for a workshop day at the end of the project, and the Guild was asked to participate – a talk about spinning, weaving and dyeing, particularly relating to the period the coat was thought to have been made, plus interactive demonstration of spinning and weaving.

    I trawled my book collection for historical information for the talk. Gill, Fiona and Christine came along to demonstrate spinning and help people to have a go. Ada loaned me a large selection of natural dye samples; Fiona also brought some of hers. Linda and Sue were there as participants, but Linda had also brought along some of her natural dye experiments and was able to talk to participants about this.

    I set up my small rigid heddle loom with a black and white warp for a shepherd’s plaid type check pattern, and my small 4-shaft with a basic twill with a navy warp and lime green weft. We also had spindles and a pirn.

    We all thoroughly enjoyed the day. There was a huge amount of interest in our crafts. A lot of people had a go and fairly competently!

    We were of course just one part of the day. We also heard interesting talks on the history of the village, and the way the coat was dated, and we had the opportunity to have a close look at (but not touch!) the coat.

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  • Rigid Heddle Weaving 14 March 2020

    Jane Kitchener tutored this beginners workshop, which was held the day before the Krogbragd workshop. Apologies for not posting this sooner. I wasn’t there, but it seems to have been a very successful day, and Inga has provided photos which show what went on. The resulting weaving looks lovely. Here is Jane’s report of the day:

    As someone who regularly uses a rigid heddle loom, I was keen to share my skills with complete beginners. The day’s plan included a way of warping the loom, followed by the opportunity to weave a length of cloth, at a pace to suit all participants.
    The workshop began with an introduction to looms, associated equipment, woven samples and reference books. A worksheet was provided, with space for notes and as an ‘aide-memoire’. Working in pairs to put a warp on the looms made it quicker and less intimidating for all. I was on hand to give further advice, where necessary, and with a small number in the group there was a relaxed atmosphere throughout the day.
    By lunchtime, the looms were prepared and weaving could start. After a short lunch everyone enthusiastically set to work, with encouraging results: varying lengths of fabric were woven and admired. Progress was rapid and all-too-soon it was time to discuss how to finish the weaving, plus the benefit of record-keeping.
    A satisfied group went home with their woven cloth and expressed an interest in furthering their skills on a rigid heddle loom. There are more techniques and design opportunities available, so I hope the prospect of such a workshop is not too far away.
    Jane Kitchener

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  • Krokbragd Weaving 15 March 2020

    Another excellent workshop tutored by Kathryn Kusa. Eleven Guild members took part, and there was a lot of bustle early on as everyone arrived and started to set up their looms – quite a variety of these, including 2 rigid heddle looms. We had warping instructions beforehand. Krokbragd uses just uses 3 shafts and is threaded 1, 2, 3, 2. It is a weft faced technique, so the warp, made of strong cotton, does not show. Kathryn began by showing us the lifting sequence on the 4-shaft loom: 12, 23, 13, then how the patterns are produced. She then demonstrated the set up for the rigid heddle, which we were all interested to see. The loom is warped in the usual way, with threads alternately through slots and holes, then supplementary heddles (Kathryn had used inkle loom heddles, which she said were just the right length) are attached to the threads in the slots. These are slipped alternately onto two dowels so that half are on each. The sheds are formed as follows: 1. rigid heddle in the up position, first lot of supplementary heddles raised; 2. rigid heddle still in the up position, second lot of supplementary heddles raised; 3. rigid heddle in the down position. Kathryn then handed us instruction sheets, with patterns to try. As ever the results were amazingly varied, with differences in colour and scale producing very different results from the same pattern suggestions. Later in the day Kathryn showed us how to draw out pattern ideas and convert them to weaving instructions. A brilliant day, just fitted in before the self isolation instructions from the government.

    Kathryn demonstrates the techniques:

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    Our weaving:

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    People:

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  • Open Day and Challenge 8 Febrary 2020

    Between 40 and 50 people attended this event, with some coming and going in the course of the day. We had a big circle of spinners around the hall, with several weavers at tables as well. This was the day to bring along what we had made from the fibre distributed at the September Open Day: 50 gms Corriedale tops, 40 gms Blue Faced Leicester / seacell tops, 10 gms recycled sari silk. Apart from the sari silk the fibre was undyed. The challenge was to spin and make something from the fibre. We could dye it, and we could add up to 100 gms of fibre or yarn; felting was also allowed. The number and variety of items created was truly impressive – pictures below:

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    plua a few pictures of people:

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  • Spinning workshops 11 & 12 January 2020

    The Spinning for Beginners workshop, run by Michelle Stirling on 11 January seems to have gone very well – here is a write up from Inga:

    As is very common at guild events the air at the beginning of the session seemed full of anticipation for a day of crafting fun, and Michelle did not disappoint! The day was full of information, experimentation and general woolly fun. We were shown how to set up our wheels and take care of them, with special attention given to the importance of getting the tension on our wheels correct and oiling them periodically. Michelle had brought and laid out a wonderful array of different fleeces for us to look at, work with and try out using different preparation techniques. We felt like children in a sweetie shop! She demonstrated hand carding to make rolags, drum carding to make a batt and using a dog comb to prep the wool, whilst leaving plenty of time for us to experiment throughout the day.

    When the spinning began it was obvious that there were different levels of beginner: some complete beginners and some who had spinning experience. Michelle catered for all abilities and participants were happy to share knowledge and swap wheels so that people could experience spinning on different wheels. This meant that naturally the seed was planted for possible wheel purchases!

    To sum up the day, it was enjoyed by all, designed by Michelle to give the perfect mix of learning and experimentation in a relaxed and fun fashion and yet a very productive day was had by all too!
    Inga Ballantyne

    Here are some photos showing the processes Michelle demonstrated:

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    Christina Chisholm ran a repeat of her Spin to Weave workshop on 12 January. This was again well attended and was an excellent workshop. In the morning we practiced producing a consistent worsted yarn suitable for warp or weft. Christina demonstrated short draw, showed us how to work out the ratio of our wheels, then had us each attach a tape measure between wheel and waistband so that we could draft a consistent amount for each turn of the wheel. This required a fair amount of concentration! Christina also demonstrated an extended draw (American long draw), which works well for some fibres and blends, and also produces a yarn suitable for weaving. After lunch Christina talked us through her excellent handouts on how to calculate the amount of yarn required for warp and weft. She showed us some of her woven pieces and impressed on us the importance of sampling. We then moved to the loom, where she showed us how to use a dummy warp to save wasting precious handspun – the handspun warp is tied on to the dummy warp, and lashed to the front bar, so there is very little waste.

    The following photos show some of the processes demonstrated: short draw; extended draw; putting the handspun warp on the cross sticks; starting to tie on; lashing; testing the tension; weaving a header; starting to weave; hemstitching.

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    Here are some more general photos:

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  • Festive Open Day December 2019

    A nice relaxing day, attended by about 25 people – a lot of spinning and talking and some very nice inkle weaving, plus home made mince pies and other goodies. Our new annual magazine was ready to pick up, and looks very professional. We also had the opportunity to buy more of the challenge bags and some festive fibre collections.

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  • Accounts 2018-19

    Our annual report and accounts 2018-19 can now be viewed on this site. Follow the link, or go to the Forms page to download.

  • Culloden Christmas Fair

    Some Guild members demonstrated spinning and weaving at Culloden Battlefield on 24 November.

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  • 4 Corners Workshop

    I didn’t manage to get to this workshop, but it looks as if it was a really good day! There was a festive theme, with participants making batts from red, green and white wool, fleece angels, and coiled gift baskets; the fourth corner was designated as “social” and gave an opportunity to carry on with one of the earlier activities or just chill. Below are two reviews and some pictures.

    Here’s a review of the Angels and Baskets corners, written by Kathleen:

    It was a lovely day when we met for the November corners workshop at the community centre and I really enjoyed the day too. I think there were about 12 people at the workshop (not including the tutors), so we all split into small groups of 3 or 4. I took part in 2 of the 3 corners.

    Firstly I went to the tassel angel corner where Bryony and Jane taught us step by step to make little “woolly” angels. All the materials were provided. You can create your angel with a variety of spun wool and unprocessed fleece. There were different types of fibre available in different colours, some fluffy yarns or sparkly threads. You do not need much equipment, a couple of bits of card, a pencil and a barbed felting needle and sponge and scissors. It doesn’t take long to make one and we were soon able to hang our little angels on the twigs alongside the ones Bryony and Jane had created earlier. I managed to make 2, complete with a halo. My first angel had sparkly wings, the second was a bit more wild.

    The second corner I went to was the Rope baskets, taught by Inga. (This corner was the one I really wanted to learn about as soon as Inga had shown us her blue rope basket at one of last year’s meetings.) The only equipment required was a size 4-5 crochet hook, some “rope” and some wool to crochet with. Inga had prepared several small coils of pulley rope all ready started so we could grasp the technique of crocheting around the rope with the wool before we started to create our own basket. Ruth Black had helped Inga to create lengths of rope with tweedy fibre so we all got to choose a colour we liked and some co-ordinating or contrasting wool, then the slightly tricky part began. we had to crochet along the rope for an inch or two then coil it around to form a spiral and continue to crochet in the spiral, increasing the number of stitches as the size of the spiral increased, to build the base for the basket. Once we reached the size of base we wanted for the basket we slightly adjusted how we did the crochet stitch to build up the wall of the basket. You can, with some practice and concentration create vertical walls or sloping ones that make more of a bowl shape, or even keep it as a flat disk if you wish to make a coaster for a cup or a mat. The overall finish will depend on the sturdiness of your rope and the colours you choose. The tweedy rope was quite soft in comparison to Inga’s original basket.

    On both these corners, once you know how to create the item you can create your own unique items by varying the materials used and the colours. I had taken along a few shop bought bright balls of wool and used these to make a contrasting rim on the first basket, then after lunch I decided to make another basket using bright wool all the way up the walls. (I chose not to move on to the festive batts as I was enjoying the rope basket and wanted to see if I could make a second one. I had been to a previous “daft” batt workshop using a drum carder so wanted to concentrate on my 2nd basket)

    And before we knew it, it was time to pack up and head home. I thoroughly enjoyed my day and am sure I will try to create more angels and baskets.

    And a review of the Festive Batts corner written by Henriette:

    Mary, with support from Aileen, showed us how to prepare special and individualised batts for spinning. Mary let us choose one of three main colours: green, red or white, which was just beautiful in view of Christmas. In red and green Mary had prepared hand dyed fleece. On a tray we arranged a substantial amount of fleece and roving together with ‘fun bits’ of different types of silk and/or Angelina. Then we chose one of the drumcarders, different in width and carding cloth. To feed the drumcarder we first opened up the fleece, ideally keeping the locks still recognisable and feeding them in lengthwise. The fleece was mixed with roving of the same colour, opened up as well. We kept an eye on the licker-in which showed us whether the wool was opened up enough and not to overfeed areas on the drum.

    Then the artstic fun started. We chose between two options: leave the batt on the drum and add small amounts of specialities directly to the drum while we turned it or we took the batt off the drum carder, opened it up again and fed a “sandwich” into the drumcarder which carried bits of silk roving, throwster’s waste or noils and/or Angelina in its midst. Both options of feeding could also be combined.
    We could experience various amounts of “ingredients”. Practice also showed what would work or get stuck at the licker-in. And it was a separate decision on how well combined or how fluffy and knotty we would like to have the appearance of the batt. Each batt could get sparks of another colour as much as texture.

    I went home with three batts and look forward to the outcome when spun.

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  • AGM and Show & Tell 2019

    Our AGM is always lively and interesting, and as usual produced a range of suggestions for the new committee to discuss. Following the formal part of the day, and a social lunch we had a Show & Tell, with an impressive array of articles made my members over the year. Here are some photos:

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    Jane and Bryony have just been to Bhutan. Here are some photos of the textiles they brought back:

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  • Loch Ness Knitfest 2019

    This year the Marketplace was only open on Friday and Saturday. We were able to set up our display on Thursday afternoon and were there to demonstrate on both days. We had a good spot – further from the stage than last year. I was initially concerned that we didn’t have a wall behind us, but in fact it worked very well. We had a lot of space all round, so were able to have a double sided display. This was quite impressive, thanks to the generosity of members in loaning their handwork; and though there were 8 or 9 of us demonstrating there was no sense of crowding. Friday was quite quiet in the Marketplace, but we still attracted interest, including a young woman who came to learn to use the drop spindle she’d just bought, and a small girl I saw solemnly weaving on Henriette’s 8-shaft loom. Saturday was busier, we had a number of people having a go at spinning and weaving, there was a lot of interest in Michelle’s book of stitched artwork, and Sadie’s tapestry weaving also attracted a lot of interest. Some pictures below – I’ve included one of the knitted Inverness Town House – nothing to do with us, but fun!

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  • Eco dyeing project

    Michelle Stirling has been experimenting with eco dyeing for some time now, and has produced some very interesting fabrics and art work (see pictures below).

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    She is involved in a project on Facebook called “earth signature bundle”, and invites anyone who wishes to join in. Send your results, or questions, to Michelle via Facebook, or through this web site.

    Here are some pictures of the process:

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    This is the project in Michelle’s words:

    Hello everyone,
    Who would like to be part of a world wide fun project? It’s called “earth signature bundle”. Lots of folk who have never done it before are taking part.

    All you do is
    1. Wet a piece of cloth (say pillow case size) with water, viniger or tannin, soya or milk, you can ad natural dye to it, squeeze out the excess liquid
    2. Place any kind of leaves or plants with rusty pieces on it
    3. Fold or roll it up or crumple then tie tightly
    4. Bury it in the compost heap the ground or sand if by the coast
    5. Leave for 4-6 weeks and dig up
    Dig up on or around the 27th of November

    If you would like to take part say yes in the comments please. I’m coordinating this project for the Highlands of Scotland and I’m here for you to ask anything you wish but most of all have fun. The worst that can happen is you have a rotten bit of interesting shaped cloth with stains on it!

  • Spin to Weave Workshop October 2019

    I was too late to book for this workshop, run by Christina Chisholm, but visited it to take photos. When I arrived Christina was demonstrating how to avoid wasting precious handspun when using it as warp. She had a strong, commercially spun yarn, wound onto the back beam of her loom, and threaded through heddles and reed. A handspun warp, tied onto this could then be woven with very little waste. At the front a cord threaded through groups of warp ends and lashed to the front beam would likewise save waste. Christina had also brought samples from her Certificate of Achievement for the group to look at. When I left the group were starting to spin silk.

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  • Daviot Vintage Farm Day 2019

    Four of us from the Nairn Spinning Group demonstrated at the Daviot Vintage Farm Day on 28th September – Hilma Rask, Christine Smith, Kathleen Watson and myself. The weather is always a factor as the field gets waterlogged quite quickly, but we were lucky – just a bit of drizzle in the morning, then a bit of heavier rain towards the end of the afternoon, and both of our cars got in and out without needing a tow! Because of the drizzle it was quiet to start with, but got busier later, and quite a number of people stopped to talk to us and look at the display, try a bit of weaving etc. The show itself is interesting, and different from the other farm shows with the focus being on farming heritage – vintage machinery etc.

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  • September 2019 Open Day

    A very lively day, with 40 plus people, most spinning, some managing to weave or wind a warp, everyone chatting! Denise handed out bags of fibre for this year’s challenge. This year we all have the same – it will be interesting to see how different the results are! Sue brought along a display of her work for the Certificate of Achievement in Spinning. This was very impressive and represents a great deal of work. Michelle brought along the results of some of her eco-dyeing and printing experiments – beautiful (sorry, I didn’t photograph them).

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