Blog

  • Spinning workshops 11 & 12 January 2020

    The Spinning for Beginners workshop, run by Michelle Stirling on 11 January seems to have gone very well – here is a write up from Inga:

    As is very common at guild events the air at the beginning of the session seemed full of anticipation for a day of crafting fun, and Michelle did not disappoint! The day was full of information, experimentation and general woolly fun. We were shown how to set up our wheels and take care of them, with special attention given to the importance of getting the tension on our wheels correct and oiling them periodically. Michelle had brought and laid out a wonderful array of different fleeces for us to look at, work with and try out using different preparation techniques. We felt like children in a sweetie shop! She demonstrated hand carding to make rolags, drum carding to make a batt and using a dog comb to prep the wool, whilst leaving plenty of time for us to experiment throughout the day.

    When the spinning began it was obvious that there were different levels of beginner: some complete beginners and some who had spinning experience. Michelle catered for all abilities and participants were happy to share knowledge and swap wheels so that people could experience spinning on different wheels. This meant that naturally the seed was planted for possible wheel purchases!

    To sum up the day, it was enjoyed by all, designed by Michelle to give the perfect mix of learning and experimentation in a relaxed and fun fashion and yet a very productive day was had by all too!
    Inga Ballantyne

    Here are some photos showing the processes Michelle demonstrated:

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    Christina Chisholm ran a repeat of her Spin to Weave workshop on 12 January. This was again well attended and was an excellent workshop. In the morning we practiced producing a consistent worsted yarn suitable for warp or weft. Christina demonstrated short draw, showed us how to work out the ratio of our wheels, then had us each attach a tape measure between wheel and waistband so that we could draft a consistent amount for each turn of the wheel. This required a fair amount of concentration! Christina also demonstrated an extended draw (American long draw), which works well for some fibres and blends, and also produces a yarn suitable for weaving. After lunch Christina talked us through her excellent handouts on how to calculate the amount of yarn required for warp and weft. She showed us some of her woven pieces and impressed on us the importance of sampling. We then moved to the loom, where she showed us how to use a dummy warp to save wasting precious handspun – the handspun warp is tied on to the dummy warp, and lashed to the front bar, so there is very little waste.

    The following photos show some of the processes demonstrated: short draw; extended draw; putting the handspun warp on the cross sticks; starting to tie on; lashing; testing the tension; weaving a header; starting to weave; hemstitching.

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    Here are some more general photos:

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  • Festive Open Day December 2019

    A nice relaxing day, attended by about 25 people – a lot of spinning and talking and some very nice inkle weaving, plus home made mince pies and other goodies. Our new annual magazine was ready to pick up, and looks very professional. We also had the opportunity to buy more of the challenge bags and some festive fibre collections.

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  • Accounts 2018-19

    Our annual report and accounts 2018-19 can now be viewed on this site. Follow the link, or go to the Forms page to download.

  • Culloden Christmas Fair

    Some Guild members demonstrated spinning and weaving at Culloden Battlefield on 24 November.

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  • 4 Corners Workshop

    I didn’t manage to get to this workshop, but it looks as if it was a really good day! There was a festive theme, with participants making batts from red, green and white wool, fleece angels, and coiled gift baskets; the fourth corner was designated as “social” and gave an opportunity to carry on with one of the earlier activities or just chill. Below are two reviews and some pictures.

    Here’s a review of the Angels and Baskets corners, written by Kathleen:

    It was a lovely day when we met for the November corners workshop at the community centre and I really enjoyed the day too. I think there were about 12 people at the workshop (not including the tutors), so we all split into small groups of 3 or 4. I took part in 2 of the 3 corners.

    Firstly I went to the tassel angel corner where Bryony and Jane taught us step by step to make little “woolly” angels. All the materials were provided. You can create your angel with a variety of spun wool and unprocessed fleece. There were different types of fibre available in different colours, some fluffy yarns or sparkly threads. You do not need much equipment, a couple of bits of card, a pencil and a barbed felting needle and sponge and scissors. It doesn’t take long to make one and we were soon able to hang our little angels on the twigs alongside the ones Bryony and Jane had created earlier. I managed to make 2, complete with a halo. My first angel had sparkly wings, the second was a bit more wild.

    The second corner I went to was the Rope baskets, taught by Inga. (This corner was the one I really wanted to learn about as soon as Inga had shown us her blue rope basket at one of last year’s meetings.) The only equipment required was a size 4-5 crochet hook, some “rope” and some wool to crochet with. Inga had prepared several small coils of pulley rope all ready started so we could grasp the technique of crocheting around the rope with the wool before we started to create our own basket. Ruth Black had helped Inga to create lengths of rope with tweedy fibre so we all got to choose a colour we liked and some co-ordinating or contrasting wool, then the slightly tricky part began. we had to crochet along the rope for an inch or two then coil it around to form a spiral and continue to crochet in the spiral, increasing the number of stitches as the size of the spiral increased, to build the base for the basket. Once we reached the size of base we wanted for the basket we slightly adjusted how we did the crochet stitch to build up the wall of the basket. You can, with some practice and concentration create vertical walls or sloping ones that make more of a bowl shape, or even keep it as a flat disk if you wish to make a coaster for a cup or a mat. The overall finish will depend on the sturdiness of your rope and the colours you choose. The tweedy rope was quite soft in comparison to Inga’s original basket.

    On both these corners, once you know how to create the item you can create your own unique items by varying the materials used and the colours. I had taken along a few shop bought bright balls of wool and used these to make a contrasting rim on the first basket, then after lunch I decided to make another basket using bright wool all the way up the walls. (I chose not to move on to the festive batts as I was enjoying the rope basket and wanted to see if I could make a second one. I had been to a previous “daft” batt workshop using a drum carder so wanted to concentrate on my 2nd basket)

    And before we knew it, it was time to pack up and head home. I thoroughly enjoyed my day and am sure I will try to create more angels and baskets.

    And a review of the Festive Batts corner written by Henriette:

    Mary, with support from Aileen, showed us how to prepare special and individualised batts for spinning. Mary let us choose one of three main colours: green, red or white, which was just beautiful in view of Christmas. In red and green Mary had prepared hand dyed fleece. On a tray we arranged a substantial amount of fleece and roving together with ‘fun bits’ of different types of silk and/or Angelina. Then we chose one of the drumcarders, different in width and carding cloth. To feed the drumcarder we first opened up the fleece, ideally keeping the locks still recognisable and feeding them in lengthwise. The fleece was mixed with roving of the same colour, opened up as well. We kept an eye on the licker-in which showed us whether the wool was opened up enough and not to overfeed areas on the drum.

    Then the artstic fun started. We chose between two options: leave the batt on the drum and add small amounts of specialities directly to the drum while we turned it or we took the batt off the drum carder, opened it up again and fed a “sandwich” into the drumcarder which carried bits of silk roving, throwster’s waste or noils and/or Angelina in its midst. Both options of feeding could also be combined.
    We could experience various amounts of “ingredients”. Practice also showed what would work or get stuck at the licker-in. And it was a separate decision on how well combined or how fluffy and knotty we would like to have the appearance of the batt. Each batt could get sparks of another colour as much as texture.

    I went home with three batts and look forward to the outcome when spun.

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  • AGM and Show & Tell 2019

    Our AGM is always lively and interesting, and as usual produced a range of suggestions for the new committee to discuss. Following the formal part of the day, and a social lunch we had a Show & Tell, with an impressive array of articles made my members over the year. Here are some photos:

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    Jane and Bryony have just been to Bhutan. Here are some photos of the textiles they brought back:

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  • Loch Ness Knitfest 2019

    This year the Marketplace was only open on Friday and Saturday. We were able to set up our display on Thursday afternoon and were there to demonstrate on both days. We had a good spot – further from the stage than last year. I was initially concerned that we didn’t have a wall behind us, but in fact it worked very well. We had a lot of space all round, so were able to have a double sided display. This was quite impressive, thanks to the generosity of members in loaning their handwork; and though there were 8 or 9 of us demonstrating there was no sense of crowding. Friday was quite quiet in the Marketplace, but we still attracted interest, including a young woman who came to learn to use the drop spindle she’d just bought, and a small girl I saw solemnly weaving on Henriette’s 8-shaft loom. Saturday was busier, we had a number of people having a go at spinning and weaving, there was a lot of interest in Michelle’s book of stitched artwork, and Sadie’s tapestry weaving also attracted a lot of interest. Some pictures below – I’ve included one of the knitted Inverness Town House – nothing to do with us, but fun!

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  • Eco dyeing project

    Michelle Stirling has been experimenting with eco dyeing for some time now, and has produced some very interesting fabrics and art work (see pictures below).

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    She is involved in a project on Facebook called “earth signature bundle”, and invites anyone who wishes to join in. Send your results, or questions, to Michelle via Facebook, or through this web site.

    Here are some pictures of the process:

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    This is the project in Michelle’s words:

    Hello everyone,
    Who would like to be part of a world wide fun project? It’s called “earth signature bundle”. Lots of folk who have never done it before are taking part.

    All you do is
    1. Wet a piece of cloth (say pillow case size) with water, viniger or tannin, soya or milk, you can ad natural dye to it, squeeze out the excess liquid
    2. Place any kind of leaves or plants with rusty pieces on it
    3. Fold or roll it up or crumple then tie tightly
    4. Bury it in the compost heap the ground or sand if by the coast
    5. Leave for 4-6 weeks and dig up
    Dig up on or around the 27th of November

    If you would like to take part say yes in the comments please. I’m coordinating this project for the Highlands of Scotland and I’m here for you to ask anything you wish but most of all have fun. The worst that can happen is you have a rotten bit of interesting shaped cloth with stains on it!

  • Spin to Weave Workshop October 2019

    I was too late to book for this workshop, run by Christina Chisholm, but visited it to take photos. When I arrived Christina was demonstrating how to avoid wasting precious handspun when using it as warp. She had a strong, commercially spun yarn, wound onto the back beam of her loom, and threaded through heddles and reed. A handspun warp, tied onto this could then be woven with very little waste. At the front a cord threaded through groups of warp ends and lashed to the front beam would likewise save waste. Christina had also brought samples from her Certificate of Achievement for the group to look at. When I left the group were starting to spin silk.

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  • Daviot Vintage Farm Day 2019

    Four of us from the Nairn Spinning Group demonstrated at the Daviot Vintage Farm Day on 28th September – Hilma Rask, Christine Smith, Kathleen Watson and myself. The weather is always a factor as the field gets waterlogged quite quickly, but we were lucky – just a bit of drizzle in the morning, then a bit of heavier rain towards the end of the afternoon, and both of our cars got in and out without needing a tow! Because of the drizzle it was quiet to start with, but got busier later, and quite a number of people stopped to talk to us and look at the display, try a bit of weaving etc. The show itself is interesting, and different from the other farm shows with the focus being on farming heritage – vintage machinery etc.

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  • September 2019 Open Day

    A very lively day, with 40 plus people, most spinning, some managing to weave or wind a warp, everyone chatting! Denise handed out bags of fibre for this year’s challenge. This year we all have the same – it will be interesting to see how different the results are! Sue brought along a display of her work for the Certificate of Achievement in Spinning. This was very impressive and represents a great deal of work. Michelle brought along the results of some of her eco-dyeing and printing experiments – beautiful (sorry, I didn’t photograph them).

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  • Summer shows

    Guild members have demonstrated spinning and weaving at farm shows around our area. Here are some photos:

    Sutherland Show 20th July:

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    Nairn Show 27th July:

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    Black Isle Show 1st August:

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  • 3-D Weaving and Open Day

    Our tutor for the May 2019 workshop was Louise Martin, a very skilled and experienced tapestry weaver. She had brought looms ready warped for us to use, and had sent instructions for those who wished to bring their own looms. Louise started us off with basic weaving, then moved on to weaving ridges, adding “worms” and fringes, and working with supplementary warps. She allowed everyone to work at her own pace, demonstrating new techniques as people were ready for them. She had infinite patience, and didn’t seem to mind demonstrating something several times. I’ve arranged the photos so that you can see how each piece developed.

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    We ran an open day in parallel with this workshop. This was attended by about a dozen people, and seems to have been very successful. It was held in the main hall, and attracted visitors from the art sale and exhibition which was being held in the other room.

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  • Forres Theme Day

    Four Guild members from the Nairn Spinning Group demonstrated at the Forres Theme Day on 5th May. This is always a nice friendly event, though the weather can be anything from hot and sunny like last year to really cold like this year! My photos make it look as if the interest in our stand was from one man and his dog, but in fact we had quite a lot of visitors, and I took the photos towards the end of the day, when things were tailing off. Our visitors included a couple of people asking advice about wheels they have inherited, someone asking about dyeing fleece with onion skins in school, and a little girl whose father held, and finally ate, her ice cream while she had a go at weaving.

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  • Ann Artis – Daft Batts

    ‘Daft Batts’, a workshop tutored by Anne Artis. (pictures below)

    Anne Artis, an ever popular tutor from Callander, was joined by twenty-one Highland Guild members for her workshop entitled ‘Daft Batts’. We were invited to come prepared with a variety of fibre preparation tools but, in fact, only needed access to a drum carder after an initial session with hand carders.
    Anne set out her aim for the day: “This workshop is a serious exploration of the interplay of fibres, texture and colour. By the end of the day you will remember the difference between woollen and worsted yarn, understand why we make rolags, and why batts offer interesting byways from our usual yarns.”
    Our first activity was to make mini batts for woollen spinning, using hand carders, which we then rolled sideways onto cardboard tubes (another great use for kitchen and toilet roll holders). At this point we were informed the day would focus on taking batts home to be spun later as there would be no time for spinning. How right that proved to be.

    Although encouraged to use all the fibre and incorporate plenty of air, we were reminded about RIRO – ‘rubbish in, rubbish out’ and the impossibility of making a silk purse from sow’s ear. Anne emphasised the use of clean fleece with double cuts, weak fibres and skin-end regrowth removed.
    Next, we progressed to working in pairs (with one trio), with a drum carder for each pair. Noting Mabel Ross advice, we only fed small amounts of fleece in at a time. During the morning, we used a base fibre of Beltex fleece: on its own, kid silk mohair, white alpaca, brown alpaca, black alpaca, mulberry silk and silk noil. There was even time to make a batt with a variety of these fibres.

    After lunch, we settled to a change of focus – the use of colour: “analogous, contrast, bright, subtle? Think about what will make you happy. If you are brave, select the opposite.” Anne encouraged us to choose a colour we didn’t like, for the base fibre. It was eye-opening to see how many people chose yellow from the range of bright colours.

    The piles of batts grew ever-taller as we combined colours and comparisons with sunsets and sweets were made. This activity could have gone on for hours but the addition of silk noil and throwsters waste beckoned, to say nothing of wool neps. By half-past three it was time to begin clearing up, but not before Anne had demonstrated a non-tool batt. This she did with the use of two large knitting needles (one won’t do): tops were arranged as if for felting and then rolled onto the needles, as if making a puni. I am sure, with practise, this could be a quick and easy way of making rolags in a confined space using minimal equipment.
    Anne’s suggestions for using our ‘not so daft batts included spinning them and using the results for knitting or weaving cushion covers samples, perhaps alternating the rows with plain yarn. This workshop revealed the tip of an iceberg – there was potential for so much more even another full day may not have been enough to enable us to explore colour and texture thoroughly.

    Our grateful thanks go to Anne for such an enjoyable day and giving us an insight into the production of such a variety of ‘daft batts’. People’s pleasure was evident throughout the day and, at times, there were periods of total calm and concentration. Let’s hope this is a springboard to future blending workshops.

    Jane Kitchener
    Alison Munro-White.

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